“Yet to an obsessive his obsession always seems to be of the nature of things and so is not recognized by what it is.” Those words, written by art critic John Berger in his book Ways of Seeing, annotate one part of his understanding of the history of oil paintings: it's obsessive tendencies toward showmanship […]
“Yet to an obsessive his obsession always seems to be of the nature of things and so is not recognized by what it is.” Those words, written by art critic John Berger in his book Ways of Seeing, annotate one part of his understanding of the history of oil paintings: it's obsessive tendencies toward showmanship […]
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